£22.99 – Indies Only Loser Edition Translucent Blue Coloured Vinyl LP
£19.99 – Standard LP
There is this curious equilibrium to existence: In order to create balance, the universe must giveth, and the universe must taketh. Kyle Craft, with his now solidified backing band, dubbed Showboat Honey, know this all too well. And this is why their self-titled album, the contemplative yet restless Showboat Honey reflects that Sturm und Drang. “This is basically an album centred around bad luck and good fortune hitting at the same time” Craft explains, “Then, out of nowhere, I find love. Everything went to shit except that. I guess that’s how life works”.
No track better captures this duality than the sweeping “Sunday Driver”, about sticking to your guns, despite a universe of blowback. “At this point, you get baptized by certain fires and start to walk with the dead a little bit, like nothing can harm you anymore” says the Portland-based musician. “That’s what self-love sounds like to me, as aggressive as that sounds”. The sticky-sweet title of the album is lifted from the brightly choral “Buzzkill Caterwaul”; “Once you were the showboat honey / But your ship sailed out”. “I wanted to make something that sounded like a raucous collision of Leon Russell and Patti Smith” he says, “But ‘Buzzkill Caterwaul’ was the only tune that ended up showcasing that vision”.
Though aesthetics veer from song to song, Showboat Honey’s steadfast formula remains the same. Drummer Haven Mutlz holds down the machine with a ’60s/’70s fast-molasses groove that locks in with the slinky rolling bass of Billy Slater. When Kevin Clark isn’t bouncing across the piano, his mellotron strings swell in and out of frame. Jack of all trades Ben Steinmetz’s organ parts well up from the deep of the songs, while lead guitarist Jeremy Kale’s solos rip through them like electricity. On top of it all, sits the tongue-in-cheek phantasmagoria created by Craft’s lyrics.
Lyrically perspectives shift to imbue life into a cast of intriguing, mysterious characters, à la Bob Dylan. “There is not a single thing in my life that has affected me more than the first time I heard Dylan” says Craft. “It immediately changed my life”. “Johnny (Free & Easy)” is seemingly about a date gone awry at a swinger’s party in the Hollywood Hills. And the twangy pop of “O! Lucky Hand” appears to shadow a poor sod desperate to elude a hex. Its antidote is the stunning, cinematic “Deathwish Blue” which sounds like a deep cut from the book of John Lennon, about the lovesick salvation found in his bride to be, Lydia.
If that’s not head-trippy enough, the carefree sing-along “2 Ugly 4 NY” features a lyrical reference to a previous incarnation of Craft. Its lyrics “Don’t wanna see Death strum for cash downtown / Or the look on his face when the change hits the case on the ground” call out his early days in Portland when he went by the moniker of Hobo Grim. Busking downtown, he’d cover country tunes while dressed as the Grim Reaper so as to conceal his true identity.
Craft started writing about as soon as he could play the guitar at the age of 15. He grew up in the isolated Mississippi River town of Vidalia, Louisiana where his chops weren’t honed in a woodshed, but rather an old, dingy meat freezer that was out of commission. After years of touring, two LPs with Sub Pop Records, and solidifying the band, he’s grown into a prodigious songwriter, to say the least. The band recorded Showboat Honey – co-produced by Craft, Clark, and Slater – at their own Moonbase Studios in Portland over 2018.
“We approached this record differently for sure” Craft says. “I’d make a demo, and after putting the songs together, shoot it to the band for ideas”. Kyle and the members of Showboat Honey worked at such a feverish wine-fuelled pace that they actually ended up with two completely different albums. But at the end of the day, they decided to combine the two into what is now Showboat Honey, a moonstruck rock ’n’ roll record teeming with reckless abandon.
- Broken Mirror Pose
- O! Lucky Hand
- 2 Ugly 4 NY
- Bed Of Needles #2
- Deathwish Blue
- Blood In The Water
- Buzzkill Caterwaul
- Sunday Driver
- Johnny (Free & Easy)
- She’s Lily Riptide