£74.99 – 9×7″, Limited Edition Box Set with 60 Page Book and Poster
£27.99 – 2xLP, High-Performance Vinyl
Brothers, originally released on May 18, 2010, was largely recorded at the famous Muscle Shoals Sound Studio in Alabama. It was a career breakthrough for The Black Keys, receiving critical praise and earning three Grammy Awards, for Best Alternative Album, Best Rock Performance, and Best Recording Packaging for Michael Carney’s design. Upon release, Rolling Stone hailed the album ‘a masterpiece’, and Uncut named them ‘one of the best rock ‘n’ roll bands on the planet’.
Although they realised upon their arrival in Muscle Shoals, Alabama in hot and humid August that the studio had seen better days, the band – singer/guitarist Dan Auerbach and drummer Patrick Carney – brought in their own equipment and proceeded. The oppressive Alabama summer weather “forced us into the studio”, Carney says. “We went into that darkness and stayed there”.
The duo recorded nine of the original Brothers songs in what was now “a remote recording in a historic room that had been gutted”, Auerbach recalls, adding that the location contributed to the vibe of Brothers nonetheless: “You can feel it if you’re a musician, the great things that happened in a place. Half of the thing that we love is in our minds, but when we go to these shrines, it gives us inner strength. It feels magical – this is where the music was born”.
The band recorded additional material in other locations: the album song ‘Tighten Up’ in Brooklyn with Danger Mouse (Brian Burton), several others on Auerbach’s eight-track in his Akron basement, and three in Mark Neill’s home studio in San Diego. ‘Chop and Change’ and ‘Keep My Name Outta Your Mouth’ are bonus tracks on this anniversary edition of Brothers. The band then gave the music to Tchad Blake to mix. Carney recalls, “We told Tchad, ‘Make it sound fucked up'”.
The album title highlighted a revived bond between the longtime bandmates and childhood neighbours, who had been through challenging times personally and professionally. Carney says, “I was thinking about what the record meant to me – how Dan and I had gone through this shit that brothers go through where you don’t get along, but then you do get along and realise it’s an unconditional love”. It was reminiscent of one of Auerbach’s favourite Allman Brothers albums, too: “As soon as Pat suggested it, I loved it”.