£23.99 – 1xLP, Indies Exclusive, Limited Edition Blood Red Vinyl
Love Record Stores 2021
Limited edition (300 copies) released on blood red coloured vinyl.
We all know the type: Prolific bands who commit every loose thought, stray idea and 90-second song fragment to tape. Bands who pay no attention to little inconveniences like “release cycles” or “self-editing,” and instead decide that quantity equals quality, creating a discography more labyrinthine, imposing and – ultimately – exhausting than the cast of creatures in a sci-fi novel.
Here is why none of that applies to Thee Oh Sees. Because each of the dozen-plus albums they’ve released since 2004 possess a distinct personality and represents a different point along the path of John Dwyer’s slow transformation from auteur of woozy bare-bones four-track psychedelia to goggle-eyed garage rock marauder backed at long last by a band that both shares and stokes his singular vision. Because drop a needle on any record and – to their great credit – it takes several songs before you’re convinced it’s Thee Oh Sees. The seasick hundred-bottles-of-rum shanty “What the Driven Drink,” from 2007’s delirious Sucks Blood exists in a different galaxy than the rollercoastering “Chem-Farmer” from last year’s Carrion Crawler/The Dream; the doomy doo-wop of “Blood on the Deck” hardly seems like the product of the same band who delivered the yelping “Ruby Go Home” in 2009. And the band who made last year’s engrossing Putrifiers II seems like a distant cousin to the band delivering Floating Coffin — arguably the most varied and textured Oh Sees record to date.